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Neat

DacMagic – Added the power, what about the glory?

The 225VA transformer has been terminated with a suitable mains lead and power in plug for the Cambridge.  It”s been plugged in and blown a one and a two amp fuse with its switch on surge so it’s running with a 3amp fuse.

This by the way is not the way to do something for long-term use.  This is just as a quick test to see if it’s worth experimenting further and if the results are good the tranny will be mounted in a decent case suitably fused. This is not the type of experiment I suggest for anyone outside of a lab.  The mains is dangerous.

The listening results today are different to those at Malcolm’s last evening.  There it was pretty conclusive that the new supply confused the balance and lost some integration. It wasn’t bad at all, just not quite as well balanced as the original supply.  Shows that Cambridge put some time and effort into the whole package.

Today and in my system the results aren’t quite so clear cut.  There are elements of the same as last night but at the same time the system with the experimental tranny has more drive, is a bit more dramatic on the dynamics front and makes my foot tap more.

It’s really very track dependant: a couple of Paul Simon tracks definitely favoured the larger supply, a Springsteen just showed off the slight forwardness the supply delivered and sounded harsh. Another Springsteen – I’m on Fire – worked.

Would I recommend trying a supply if it were available on some try before buy deal – yes – but only if it were a no strings try before buy deal.  I’m sure that with the, very justified, success of the Cambridge DacMagic there will quite a few companies offering upgrade power supplies.

Finally it might be worth noting that the cost of the transformer delivered was around £35 so it might easily be a £100++ power supply if sold online and all neatly packaged.  Quite a investment for a budget DAC even if it’s a great budget DAC.

The Neats have been moved and moved

Now that the MF9s have run in and stabilised it was time to spend some time moving them a few centimeters at a time to find a more ideal position.

As they ran in they had become a bit bloated in the mid-bass, reducing clarity and general intelligibility as well as reducing the speed that they are normally so good at.

My room has a tendency to thickness rather than leanness so careful positioning is always needed, but the Neats have required more effort than most. They are a true full-range loudspeaker so are capable of exciting most room modes and resonances.

The effort has been rewarded with a far better insight into music, the recordings and, most importantly, the performances.

I think there is still more to come with even more fine tuning but that will come with time and patience.

Interestingly, as the perfornce has improved from CD, Hard Disc and Vinyl, it has exposed the shortcomings on internet radio.  It’s not going to stop me listening to Radio Paradise as their choice of music is so good, but if only they had a 320k AAC feed…

The Neats have arrived

After much heavy breathing, carrying the Neat Acoustics MF9s up two flights of stairs, they are now in place and running in.
They seem to work pretty well in roughly the same position as the ES30s, which is about 15cm closer to the back wall and about 20cm closer to the side walls than the MF7s.
The bass in this spot is really detailed and surprisingly dry: when the music doesn’t deliver bass there isn’t any. I must have hit just the right spot in the room.
It’s probably going to take a couple of weeks for everything to truly settle before I can do the final moving around but so far very pleased.

I’m really enjoying listening to music on these and that’s only after a few hours of running in.

Just sold my Epos ES30s

Sort of sad to see a pair of loudspeakers go that I have been listening to and enjoying for around 10 years. Strangely, looking back, it seems I change speakers around every decade.
The Epos’ have a wonderful way of communicating music but having recently had the Neat MF7s here for a month or so the ES30s just had to go.
Next week, hopefully, a pair of MF9s will be arriving – In fact Bob Surgeoner the man behind Neat Acoustics is bringing them and maybe I can persuade him to help carry then up the two flights of stairs. I’ll report on the Neats as soon as they have had a few days to run in.
At the moment I’m using a pair of stand-mounting ALR Note 3s on Slate stands. Rather missing the scale and weight of the Neat MF7s but the ALRs aren’t too shabby as they say.
The Note’s have mass adjustable Auxilliary Bass Radiators (ABRs) and setting the right tuning point for the bass has given me a speaker with a good bass entension but far more importantly excellent timing.

More Images

I’ve added some images for Chord, Keith Monks, Thorens and Neat Acoustics.

This is still very much work in progress. Sort of learning on the job really; except I’m trying to learn how to get the best out of WordPress and all the plugins, widgets etc late in the evenings.